Wednesday, October 28, 2015
I acquired this skirt a while ago. It didn't cost me much, but it wasn't suitable for the weather in july, so I decided to put it aside until colder days. Now the days are shortening and getting colder, so finally the time had arrived for me to wear this skirt!
I don't know exactly from what era this skirt is. The etiquette reads 'Made in W. Germany'. So it is definitly a retro skirt. After all, West Germany doesn't excist anymore ever since the fall of the Berlin Wall in '88. At the very least, the skirt is the same age as I am, but more likely even older! If I had to guess, I would say the 70's: 30's and 40's styles were in fashion again.
So it's definitely not an original 30's of 40's skirt. At one side because West-Germany didn't excist yet, at the other side because the finishing just aren't right: they've been serged. Aside from that, the etiquettes look far more modern.
If you still don't believe me: Louis Feraud started his couture-line in 1958. In the 70's he made a contract with the German companie Fink to bring a ready-to-wear line to the market.Voilà, there you have it: the 70's!
Saturday, October 24, 2015
Almost 2 months ago, I blogged about something excited: our move. These last couple of weeks we've settled in and are enjoying the good life. I've never been happier so far. Our little rascal of a cat certainly has something to do with that. After 4 week of obligatory in-house living, he's delighted to be outside again.
Look how cute he is! Another thing we changed and are very happy about: autumn flowers! It gives a little color in this dreadful weather and we can't help ourselves to glance out of the window and smile.
That's it for this short - yet perhaps not as interessting - and non-sewing related intermezzo. ENjoy your day!
Monday, October 19, 2015
These last couple of months, I've been trying to keep my Vintage Pledge: sewing 3 pieces of clothing from a real or repro-vintage pattern. Gertie's Bow-Tied Blouse isn't really a reproduction or real vintage pattern, but because of the influences and detailing, I'm of a mind to categorize this as a Vintage.
|When wearing, the back isn't as|
crinkly as the picture
First and foremost: I don't love this pattern, I adore it! I love the detailing and the 50's vibe of the pattern. Because of my fabric choice, it feels more like a Chinese inspired garment than vintage inspired, but non the less, I love it. I'm of a mind to make a lot more of these: they are comfy, easy to wear to work. They can be worn tucked in a skirt or pants or over one. What I like about this one, when tucked in, is that it doesn't really bulks at the middle and simply stays put. All my other blouses tend to make extra bulk at the waist because of the movement. This one's different.
|Bound buttonhole on the outside|
|Regular buttonhole on the inside|
Yes, I was being lazy....
Now, for the technical part: I measured between sizes 6 (waist) and 8 (bust), so I cut out 8. Even though I have enough oumpff at the front and a 'tiny' waist considering bust and hips, I only had to alter for my sway back and realign the bust darts. I took out 2,5cm on the back panel at the back seam around the waist (sway back), realigned the bust dart 2cm downward and 1cm longer. I also added an extra button at the bottom. I did make the bow-tie that comes with it, but I didn't really like it. The tie just didn't want to stay horizontal, so I ditched it.
Saturday, October 17, 2015
As promised: a tutorial to make your very own Finch Saddle Bag. The pattern comes without any instructions, so I thought it would be welcome for beginners amongst us to write a little how-to. The descriptions with pictures below is how I made it. Is it possible to improve my way of constructing this? Always. But that doesn't mean it wasn't fun to make!
To start off, you'll need to cut all the pieces out. I decided to make the outside out of fake leather and the inside with a cotton fabric I liked. Both fabrics were already in my stash from previous projects. To make the Lining a bit sturdier, I used fusible interfacing (Vlieseline 250) for pattern pieces A(2x), D and E'. If your outside fabric isn't sturdy enough, my advice is to use this interfacing on pattern pieces A through G.
Preparation: fuse the interfacings onto the necessary fabric pieces.
Take pieces E and E' (lining and outside fabric of flap) and put them with their right sides together. At 1 cm (3/8") sew them together, leaving the top open.
Before we turn the flap right side out, we need to clip in at the curves to prevent bulk. Be careful not to clip your stitchline! This'll result in a (little) hole and possible it'll unravel over time.
Turn the flap right side out and press flat. Pressing (not ironing!) is an important part of sewing. It influences how your finished product will look: neat or a bit scrappy. When working with fake leather or a fabric that is heatsensitive, use an ironing cloth between the iron and fabric. This way your iron won't damage the fabric. Now is also a good time to place the first part of your closure of choice.
Topstitch the sides for a neat finish. It's better to stitch slowly, because these stitches will be visible and a wonky line isn't really appealing to the eye. Place the flap to the side for later.
Now it's time to make the lining of the bag. Take piece A and aline with piece D'. It'll take a bit of fiddling around with the fabric, but I promise it'll work. After sewing piece A to piece D', you do the same thing with piece A'. The fiddling'll be a bit harder, but still manageable
|Pin piece A to D'|
|Sew piece A to D'|
|Trim the seam allowence to 0,5cm to reduce bulk.|
Take back the flap. We'll be constructing the back panel. Place piece C right side up and place the flap right on top, with the outer fabric down. Now take piece B and place it on top of the flap, right side down. The flap is sandwiched between C and B. Stitch.
Press the back panel with the flap upwards. Topstitch the seam.
The construction of the outer body is the same as the lining: sew front and back panel to piece D. Trim seam allowance to prevent bulk if necessary. Turn right side out and put the second part of the closure in..
Time to get started on the shoulderband. The pattern comes with an extra piece (F) to place a shackle. I didn't do this, because I thought it was unnecessary for what I had in mind. You can still do this by following the steps below.
Fold piece G in half, right sides together. Sew the side seam only and turn right side out. Press. Topstitch the sides. If you want, you can add some parallel stitching lines. I decided to incorporate these lines to prevent stretching. With a cotton (interfaced) band, you don't have to do this, but it is a nice touch.
If you're using piece F, now's the time to place the shackle. Fold F in half, sew and add the shackle to the middle. Fold again so the fabric holds the shackle. Sew a line right underneath, so the shackle won't move around. Fold one end of piece G around the shackle and secure in place by sewing right underneath the shackle. Pieces F and G are sewn together. Do the same for the other side of G and the second F. Now you can use this shoulder strap as piece G in the following steps.
Fold 3cm at the end of G to the inside. Position the end at the same level as the seam of the back panel (view picture below). Sew a box and a cross (see second picture below). The cross will make sure that your strap is tightly secured to the body.
Almost done! Right now, you have 2 bags: an outer bag with the right side out and an inner bag with the right side in. Put the outer bag inside the inner bag. Be sure to tuck the shoulder band in so you won't be sewing across it.
Pin the sides together, aligning the seams. Leave about 15cm open at the back panel. This way you'll be able to turn the bag right side out. The picture below illustrates the gap, indicated by 2x 2 pins close to each other. This is my technique to remember to stop sewing.
Carefully turn the bag right side out through the opening you just created. It's not easy and will take some time, but it is possible.
Last but not least: push the corners of the lining as best as you can against the outer bag. Now all we need to do is sew the opening close. There are 2 ways to do this: you can opt to handsew the opening close with an invisible stitch. Or you can close this by topstitching around, as I did. The latter will give your bag a neater and more professional looking finish when done right. Again: sew slow! The bulk at the seams can be a bit of a challenge, depending on your fabrics.
Tadaaaaaaaa! Your bag is ready to be worn with your fabulous, handmade clothes! Have fun!